Matthew carter typography biography channels
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Matthew Carter is among the preeminent type designers of the 20th century, an artist whose work has helped shape the familiar graphic looks of Time, Newsweek and Sports Illustrated as well as The Boston Globe, The Philadelphia Inquirer and The Washington Post.
The School of Art is presenting Typographically Speaking: The Art of Matthew Carter at its Des Lee Gallery, 1627 Washington Ave.
The exhibition includes dozens of drawings, sketches and printed examples — drawn largely from Carter’s own archives — documenting the creation of the fonts Bell Centennial (1978), the standard for telephone directories; ITC Galliard (1978), ranked by design critics as one of the 20th century’s most significant design accomplishments; and Microsoft’s Verdana (1994) and Georgia (1996) families, among many others.
Typographically Speaking will open with a reception for Carter from 6-8 p.m. Oct. 10 and will remain on view through Nov. 29.
In addition, Carter w
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Rabbit holes can be oh-so-fun. No, not the doomscrolling variety. We’re talking about the kind designers descend into as they nurture the seed of a new idea or a spark inspired by something they’ve seen. We’re talking about the satisfaction and flow that comes from pulling on threads to reveal new paths for our curiosity.
Airport, a new typeface designed by Lukas Scheider, founder of Revolver Type Foundry, came out of one such rabbit hole. Schneider saw a vintage counting game for kids from 1979 and the type caught his eye. He was unable to find the typeface, so he engaged a Berlin graphic designer and type kunnig, Florian Hardwig, who finally tracked down the mystery typeface: Airport Spotlight, a spin-off of Matthew Carter’s Airport, a typeface designed in 1960 for London Airport (now Heathrow).
Down the hole Schneider went, through the fascinating histories of London Airport and airport wayfinding and through the pages of books that reference Carter
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Matthew Carter (born 1 October 1937) is a British type designer . [1] A 2005 New Yorker profile DESCRIBED im as the must widely read man in the world ‘by considering the amount of text set in his commonly-used fonts. [2] [3]
Carter’s career Began in the early 1960s and has bridged all three major technologies-used in type design, physical type , Phototypesetting and digital font design, as well as the design of custom lettering.
Carter’s most-used fonts are the classic web fonts Verdana and Georgia and the Windows interface font Tahoma , as well as other designs waaronder Bell Centennial , Miller and Galliard . [4] [5] [6] He is the sun of the English historian or printing Harry Carter (1901-1982) and cofounded Bitstream , one of the first major retailers or digital fonts . He lives in Cambridge , Massachusetts . [7]
Early life and education
Carter Grew up in London, the sun or Harry Carter, a book designer and later historian or printing. His