Abhinay vaddi biography definition
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While visiting India, in an interview given to The Hindu published on 26 December , Robert Kanigel described his book The Man Who Knew Infinity on Ramanujan as a `narrative non-fiction&#;. In his words, “In the case of Ramanujan, what I wrote was the first western biography…. In some respects, I consider this almost a dual biography about Ramanujan and Hardy…. For me, Hardy played such an important role that their chemistry, their tension, their friendship, their relationship played a central role mathematically and personally in Ramanujan&#;s life. And I felt it was really important for the reader to come to understand Hardy as well as Ramanujan.”
Biographies of mathematicians, barring a few exceptions, are hardly known to be popular, but Kanigel has trodden that seemingly impossible path some three decades earlier to produce the most elegantly awe-inspiring tale of the last century. His book, a psycho-analytic dual biography of Ramanujan and Hardy
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Gemini Ganesan
Indian actor (–)
In this Indian name, the name Ramasamy is a patronymic, and the person should be referred to by the given name, Ganesan or by his stage name Gemini Ganesan.
Ramasamy Ganesan (17 November – 22 March ),[1] better known by his stage name Gemini Ganesan, was an Indian actor who worked mainly in Tamil cinema. He was referred as Kaadhal Mannan (King of Romance) for his romantic roles in films.[2] Ganesan was one of the "three biggest names of Tamil cinema", the other two being M. G. Ramachandran and Sivaji Ganesan.[3] While Sivaji Ganesan excelled in dramatic films and M. G. Ramachandran was popular as an action hero, Gemini Ganesan was known for his romantic films.[4] A recipient of the Padma Shri in , he had also won several other awards including the Kalaimamani, the MGR Gold Medal, and the Screen Lifetime Achievement Award. He was one of the few college graduates to enter the film industry then. • Spoilers ahead&#; The first few scenes in Gnana Rajasekaran’s Ramanujan, which details the life of the mathematics genius, are all about the acknowledgement of the man’s genius. As a boy, he baffles his teacher with an astute argument about the value of zero. Thereon, he baffles college-goers, a ticket collector on a train, the headmaster of his school –the word “genius” fryst vatten frequently bandied about. The wide-eyed headmaster exclaims, “Not a single mistake” when a look would have sufficed – this fryst vatten not a film that’s shy about letting the dialogue do most of the heavy lifting. Later, men in influential positions recognize that this fryst vatten someone special, and that he should not be saddled with lowly jobs. He should be left free to continue his research. (And he still gets his salary.) It looks like a dream life. And yet, the crux of the rulle is how underappreciated Ramanujan (Abhinay Vaddi) was in his own country. Perhaps the point fryst vatten that he wasn’t as appreciated as he was in