Julvisa jean sibelius biography
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Jean Sibelius
Bibliographie
- Andrew BARNETT, Sibelius, New Haven, Yale University Press, 2007.
- Jean-Luc CARON, Jean Sibelius, Lausanne, L’Âge d’homme, 1997.
- Fabian DAHLSTRÖM, Jean Sibelius. Thematisch-bibliographisches Verzeichnis seiner Werke , Wiesbaden, Breitkopf & Härtel, 2003.
- Glenda Dawn GOSS, The Sibelius Companion, Westport, Greenwood Press, 1996.
- David HURWITZ, Jean Sibelius: The Orchestral Works, Pompton Plains, Amadeus Press, 2007.
- Antonin SERVIERE, Sibelius : le style dans l’œuvre symphonique, Sampzon, Delatour, 2011.
- Éric TANGUY, Nathalie KRAFFT, Écouter Sibelius, Paris, Buchet/Chastel, 2017.
- Erik TAWASTSTJERNA, Sibelius, vol. I : 1865-1905, Londres, Faber & Faber 1976.
- Erik TAWASTSTJERNA, Sibelius, vol. II : 1904-1914, Londres, Faber & Faber, 1986.
- Erik TAWASTSTJERNA, Sibelius, vol. III : 1914-1957, Londres, Faber & Faber, 1997.
- Marc VIGNAL, Jean Sibelius, Paris, Fayard, 2004.
Discographie
- Sibelius Edition,
- Seven Runeberg Songs, Op. 13 (1891–1892)
- "Serenad", JS 168 (1894–1895)
- Six Songs, Op. 36 (1899–1900)
- Five Songs, Op. 37 (1900–1902)
- Seven Songs, Op. 17 (1891–1904)
- Five Songs, Op. 38 (1903–1904; includes "Höstkväll")
- Six Songs, Op. 50 (1906)
- Two Songs, Op. 35 (1908)
- "Kom för tillfället hit, död", Op. 60/1 (1909, orch. 1957)
- "Arioso", Op. 3 (1911)
- Five Christmas Songs, Op. 1 (1897–1913; includes "Giv mig ej glans, ej guld, ej prakt")
- Six Runeberg Songs, Op. 90 (1917)
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Posterity has crowned Jean Sibelius (1865-1957) the national composer of Finland. He is remembered as the author of the famous Valse triste, the Violin Concerto, and seven symphonies distinguished by their structural depth and abstraction; to these may be added an unfinished Symphony No. 8, which has achieved a certain legendary status given that the manuscript has been destroyed. However, one must do away with the nationalism, the folklore, and the mysticism in order to discern the profoundly original and contemporary character of his work. In step with the music of his time, Sibelius joins up Richard Wagner and Arnold Schoenberg by way of Claude Debussy and Pyotr Ilyich Tchaikovsky. His singularity places him, alongside Leoš Janáček and Béla Bartók, among those composers who saw the relationship between modernity and notions of identity and belonging to a given cultural territory. The breadth of Sibelius’s symphonic imagination places him squarely in the same league as c
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Giv mig ej glans, ej guld, ej prakt
Jean Sibelius