Zamba pakapaka manuel belgrano biography

  • Zamba was the lead character of a cartoon aired by Paka Paka where he traveled in time to speak to Argentine and Latin American historical.
  • The starting point is a fictional child character named Zamba, from the first Latin American state channel for children: Pakapaka.
  • María Remedios was an Afro-Argentine who fought along side of Juan Manuel.

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    Newsletter

    You might have seen the image of a little boy popping up on Argentine social media over the past week. He’s an 8-year-old named Zamba from Clorinda, a town in Formosa, known for his appearances on a popular children&#;s TV show. He’s also Buenos Aires mayoral candidate Ramiro Marra’s biggest enemy. The thing is, he&#;s a cartoon.

    It all started with an interview Marra gave news channel IP. When asked what he thought should be done with public media broadcasters — namely TV Pública and educational channel Paka Paka — Marra said he would rather they be closed down or sold. Under no circumstances, he insisted, would he support indoctrination paid with state money. 

    To clarify what he meant, he used an example close to home. “My mom says Paka Paka cartoons are politically biased,” said Marra, who is running for Javier Milei’s coalition La Libertad Avanza (LLA). 

    Although Marra mentioned Paka Paka, he was apparently confusing the network with Zamba. Zamba was t

  • zamba pakapaka manuel belgrano biography

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    Juana Azurduy de Padilla

    For the province of Bolivia, see Juana Azurduy de Padilla Province.

    In this Spanish name, the first or paternal surname is Azurduy and the second or maternal family name is Bermudez.

    Juana Azurduy de Padilla (July 12, – May 25, )[1] was a guerrilla military leader from Chuquisaca, Viceroyalty of the Río de la Plata (now Sucre, Bolivia).[2] She fought for Bolivian and Argentine independence alongside her husband, Manuel Ascencio Padilla, earning the rank of Lieutenant Colonel. She was noted for her strong support for and military leadership of the indigenous people of Upper Peru. She is a prime example of a woman who broke gender barriers and denied the pressure of simply tending to the home. Her actions brought value to the Latin American woman and proved their loyalty and ability to be politically active.[3] Today, she is regarded as an independence hero in both Bolivia and Argentina.[4]

    In , in

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    French Journal For Media Research

    1Cet article analyse la persistance de certaines formules visuelles s'adressant aux enfants des classes populaires en Argentine. Le point de départ est un personnage fictif enfant nommé Zamba, dem la première chaîne publique d’Amérique Latine pour enfants : Pakapaka. Les différentes utilisations dem l'image dem Zamba nous aideront à comprendre d’une part comment on imagine les enfances (surtout dem secteurs bas et moyens) ; et d’autre, part le pouvoir des images à l’heure où l'on adapte certains phénomènes sociaux. Cet article vise à réfléchir à la souveraineté visuelle d'un sujet habituellement laissé dem côté comme acteur politique : fransk artikel enfants.

    Mots clés :     enfances populaires, formule visuelle, souveraineté visuelle, écran, exposition.

    Abstract

    2This article analyzes the persistence of certain visual formulas addressing working class children in Argentina. The starting point is a fictional child character